Showing posts with label Wella. Show all posts
Showing posts with label Wella. Show all posts

Wednesday, 17 August 2016

Getting ahead with Eugene Souleiman



To get the opportunity to have a styling session with the legendary Eugene Souleiman who creates the trends that others want to emulate was an opportunity not to be missed.

On my way to the Wella Professionals press launch, I had had a thorough soaking. My hair was showing the effects of humidity when I put it in the hands of the maestro.

“It is easy to smooth out your hair,” Eugene exclaimed. Well, it is if you are one of the most acclaimed hairdressers on the planet as well as being global creative director of care and styling for Wella Professionals.



Eugene at work


He rebuked me for trying too hard to get it smooth. “Leave it to dry naturally and then use your dryer to straighten the top layer out."

Eugene also tried to convince me to have a short haircut instead of my classic bob hair. Still not sure about that as my hair needs weight to hold it down. But, who knows maybe one day?

I put his drying method to the test and found it to be easier to work with hair that is slightly damp. It was a good tip. 

Wella Professionals Oil Reflections (£7.59) is a product that I love. I prepped my hair with it before styling to help protect it from the heat. (A lighter version is coming next year.) I finished with Sebastian Professional Sublimate (£18) a super finishing crème which seems to get rid of those nasty frizzy bits that you can get when blow-drying yourself and helps to make the hair shiny.  

After being in the hands of Eugene, I felt wonderful. If only he could come to my home and do my hair every day, I would always have sleek hair.

By Daralyn Danns

Friday, 8 July 2016

Coloured by Windle & Moodie



Walking out of the salon with beautifully coloured hair is one thing, keeping it looking great can be another.

My greatest discovery has been Wella. Since I stated using its colourants my hair has not turned the dreaded orange or yellow and has never been in better condition.

So when I visited Clara Ingesson at the legendary Windle & Moodie in London’s Covent Garden, who is also a brunette, I was pleased to find a fellow convert. She has worked with other market leaders and also finds that Wella can work better for those that want a cool-toned brunette. The company offers more tones in its ranges to neutralise warmth.

I began by asking Clara why do so many colourists have a problem working with brunettes?








“Dark hair naturally shoots out warmth,” she replied. “A lot of women don’t like red or gold in their hair so you have to be careful when applying a colourant. Even going one shade lighter can cause problems as the hair will pull on the red and yellow in the colourant. Blondes are easier to lift.”

It depends on your colouring as to whether you whether you should go warm or cool. Clara says she first looks at her client’s skin tone, then the eyes, to decide which hue would be most flattering to their complexion.

As hair frames your face and reflects light on to the skin, the wrong shade can wash you out or even enhance a ruddy complexion so getting it right is paramount. Olive skin has green undertones so you tend to look better with some red in the hair. You do not want your hair to blend in with your skin.

“Blondes with a lot of pink in their complexion usually look better with ashier tones while those with yellow or olive tend to look better with rich, buttery shades,” says Clara. “However, highlights always throw up warmth so what you do not want to have is too much yellow in the hair competing with a sallow complexion so it may work to add some cooler bits.”




If you do not like a lot of warmth in your hair Clara’s tip is not to have the highlights touching the root area. “Go for Balayage. Colour is painted on to the surface of the hair and an expert will be able to place it where it will be most flattering for you. It is less damaging to the hair than traditional highlights and easier to maintain.”

If you are neutral girl, like I am, it boils down to personal preference. A good colourist will see what will suit you better. Whenever you go to get your hair coloured, whether you are seeing the colourist for the first time or 20th, you need to have a consultation. When you want to change your hue, take in pictures. Your idea of the colour chocolate and your colourist’s may be different. 

When you are trying a new product or going to a salon for the first time, you should have a skin test. This is something that Windle & Moodie are hot on and I applaud them for this stance.

Clara loved the shade and tone that I had but decided to use Wella Color Touch for the mid-lengths to ends to make my locks look glossy. It has no ammonia and is kinder to the hair than using a permanent colour.

As my stylist, Valentina dried my hair, it looked lovely and shiny. I left the salon with a skip in my step feeling good. Valentina gave me one of the best blow-dries I had had for ages. There was not too much volume in my hair. It looked done but not done. She would put many hairdressers to shame.

“Your hair looks amazing,” exclaimed my next door neighbour when I bumped into her on my way home.

It did and more to the point it stayed that way for days.

By Daralyn Danns

For further information and appointments visit Windle & Moodie windleandmoodie.com

Monday, 14 May 2012

Hair to dye for


“The old version of luxury was about needing a whole head of the best colour possible to feel empowered; whereas now all you need is a streak,” says Josh Wood, global creative director for Wella Professionals and a familiar face backstage at the catwalk shows.

Today’s colour is about working with your own natural shade and enhancing it with complementary tones to create a multi-dimensional effect. The look is soft and feminine.  “This is about looking real. Yes, it’s sophisticated, but it doesn’t have to look old and overdone,” he adds. 


DKNY spring/summer 2012
Courtesy of Wella
                                                    
Dean Slack, senior technical director at The Nicky Clarke Hairdressers Leeds salon suggests  that anybody having highlights should go for the blushing technique. “A slightly lighter semi-permanent is used in between the foils to soften any dark regrowth so it makes unsightly roots appear softened,” he says.

Brassiness is a common problem for those with dyed hair, especially in summer. Dean’s remedy is chalking. “This is a great in-between highlights service. This application of glazing returns any brassiness into beautiful, shiny blondes and can be achieved in your lunch break as it is a speed service,” he adds.

I’m sure that this is a problem that has happen to lots of you who had highlights. You start off with the perfect colour and each time you have them done your hairdresser manages to add a few more until you end up with too many.  “When highlighted hair becomes over highlighted, sometimes we need to give the hair a bit of a holiday and bring it back to reality,” says Dean. “Applying a gloss in between new highlights can make the hair appear much more glamorous and expensive.”

A good trick from Dean for adding depth to the hair is a technique called Tonal Drifting. “This is where we see the roots darkened and the ends lightened giving slide of depth through the hair. The ends should still contain separation to avoid the dip-dye effect which is so last season!”

Looking to inject some colour into your life this summer? Dean’s recommendations for blondes are: midsummer mauve, Inca gold, fuzzy apricot and sand blushed suede. Brunettes should think muted mink, espresso brown and café latte.

By Daralyn Danns